Recently, our good friend Tim (TJ) Webb was in town from Winston Salem and did a short video with us. He did a swell job and, other than the fact that I apparently overuse the term “amazing”, he did an amazing job. Damn it! I did it again!
Tomorrow, Thursday, March 6th, we’ll be packing up the ol’ Chevy Van and heading to Nashville to record our first EP. We’re honored to be working with Eric McConnell, who, though I’m sure he is tired of being forever linked to this project, recorded the now-famous/classic Loretta Lynn record Van Lear Rose which was produced by Jack White. Eric has also worked on projects by Todd Snider, Will Kimbrough, and MANY others.
The rehearsals for this recording have been just fantastic. I have to admit that I was a *little* worried since our efforts thus far have been rehearsing for live shows since we had things booked before the band was even a band. Time to work on new material has been scarce. Essentially, we’re taking 3 days this week to hash out tunes that will be on this record. It’s a busy week but, man, it’s just great. Monday, Tuesday, and Wednesday: rehearse (and bleed the brakes on the van Tuesday). Thursday: Pack the van, drive to Nashville, load-in to the studio. Friday: Record basic tracks. Saturday: Overdubs. Sunday: Drive back to WV.
I’m also really happy to have three great friends joining us on this record. Paul Thacker (horns, keys, accordion), Wes L’Anglois (pedal steel, harmonica), and David Kirkpatrick (upright bass). All three of these fine gentlemen were in Travis Egnor & the Mighty Oaks (c. 2011). Wes and David were also players on the Dead Leaves record and Wes did some touring with Dead Leaves in mid-2012.
Lately, on a tour through some cities in the south, Atlanta, Charleston (SC), Asheville, etc, as always, I was asked where I’m from. “West Virginia”, I say proudly. This usually results in an odd look or two, questions about Jesco White (do you know him?), or comments about how “my brother-in-law lives in Roanoke” (wrong state, dear!). A lot of conversations, (which I love having with people at our shows, by the way) end up with me explaining how I lived in Nashville for 8 years, worked at Gruhn Guitars for basically my entire tenure in Music City, moved from there to Omaha, Nebraska, from there lived in Baltimore, Maryland, which may very well have some of the best food I’ve ever eaten, and finally ended up back in West Virginia, living in a small rural town right in the middle of two out of three of the only notable cities in the state, Huntington and Charleston.
Why the hell would you move back there? Well,…it’s home. To be honest, I also consider Nashville home. I have so many friends there and some of the best times in my life were spent in that city. I lived in Nashville at a time when I was becoming the man that I was going to be for the rest of my life. But, come on, nowhere is ever as dear as the place where you grew up and no one as dear as the friends that you made at that time.
Being a musician in West Virginia can be,…I don’t want to say “difficult” because it’s not. There are great clubs, great bands, and plenty of people to patronize said venues. What is a little daunting is being a touring musician from West Virginia. Especially if you’re not a Bluegrass musician – though I do love to listen to and play some ‘grass. When supporting the “Dead Leaves” recording, I hadn’t set my roots down anywhere. I was wandering from city to city and promoted the band as being “from Nashville” as it was easier than trying to explain that I wasn’t really living anywhere specific, the bass player (Paul Valla) was from Omaha, and everyone else was from an equally far-away place from Nashville. So, music city, it was! Selling an unknown band to a club owner/booking agent as a Nashville band, let me tell you, is FAR easier than being an unknown from West Virginia. It’s a damn shame too. I see bands week in and week out from WV that are as good as Nashville’s best and bands from Nashville that are as bad as WV’s worst. That said, I’ve seen bands and musicians from Arkansas, Alabama, North Carolina, and Missouri that are as good or better than any of them. While styles can be regional, talent is not. Don’t believe me? Check out Tyler Childers, Sierra Ferrell, Sasha Colette, Farnsworth, Blistered Nifkin, Qiet, AC30, Bud Carroll, The Demon Beat, Prison Book Club, Sly Roosevelt…I could seriously go on and on and on.
While not glamorous or filled with a large metropolis’ idea of culture. I write my music surrounded by some of the most beautiful mountains, streams, trees, and rivers in the whole of our great country. Yes, Hazel Dickens (and Annie Neeley), I know what you meant when you sang “West Virginia, My Home”.
I’m happy to say that this weekend should be one swell time! On Friday, I’ll be doing a solo set at Taylor Books in Charleston, WV. Saturday, the Horse Traders are playing at, legendary venue, The Empty Glass for a Gov’t Mule after party show. With any luck, Warren and the boys will come and join us for a jam or two. Wishful thinking but, hey, a guy can dream can’t he?
Starting in early March, the Horse Traders and myself are Nashville bound to start on our first record together. We’ll be at the Tone Chaparral with the Tone Chaperone himself, Mr. George Bradfute. George is a bit of an underground hero in Nashville who’s worked with the likes of Todd Snider, Richard Bennett, and a personal hero of mine, Steve Earle. I’ve worked with before. George did my first solo record, “Pretty Bird” and I’ve regretted not doing every other project I’ve ever done with him.
This summer will see a lot more shows and – well, who knows at this point? One thing’s for sure, we’ll be making music somewhere.